Vincent (Tom Cruise), the hitman in Collateral, is ruthless and evil, but he is good at his job. No surprise here: Michael Mann, one of the most reliable directors working today, has made a career of focusing on the professionalism of both sides of the law. In his world, films such as Fargo and Pulp […]
Marc Sigoloff
flicks 2-24-05
Period epics were all the rage in the 1950s and early ’60s, but after the Kennedy assassination and the Vietnam War, Hollywood went on a reality kick. For three decades, nobody was making noteworthy films about Roman legions, Greek warriors, or medieval knights. Then came Gladiator in 2000, and swords and sandals were back. None […]
flicks 2-17-05
Have you ever seen a functional family presented in a movie or a television show? Hollywood carefully avoids normality, unless you consider the cloying blandness of the Waltons or the Ingallses. Dysfunction means money, as proved by the return of the hapless Gaylord Focker (Ben Stiller), this time with his embarrassing parents (Dustin Hoffman and […]
movie reviews
Sex, lies, and modern love Closer places modern relationships under a microscope. The result may not be pleasant, but it is most definitely honest. Dan (Jude Law), an obituary writer, spots Alice (Natalie Portman), a self-described waif from New York, at a busy London intersection seconds before she is hit by a taxi. Their trip […]
Films to keep the political fires burning
If you’re suffering from election withdrawal and you need more commentary to feed your political addiction, perhaps a documentary will do the trick. Michael Moore may not have had the effect on the election he’d hoped for with his landmark film Fahrenheit 9/11, but he has set off a flood of films that go where […]
Route 66 Film Festival
Springfield’s showcase of independent film has expanded in its third year, and the current crop is a vast improvement over last year’s entries. Though the lineup includes dramas, documentaries, animation, and even a pair of silent films, comedy is king this year. The festival is now divided into six sessions to accommodate the increased number […]
Even when it bites, reality can be entertaining
Many documentaries focus on social issues, rather than politics, although peripherally they are political. Social documentaries sometimes strike closer to home, making their subjects much more identifiable to many filmgoers. Capturing the Friedmans (2003). The Friedmans were a seemingly typical Long Island family until their lives were shattered one night in 1988 when police […]
movie review
Cat-and-mouse with a tantalizing twist A man bursts through the door of a remote highway diner on a dark and rainy night and plops down before a customer, a salesman reading a newspaper. Clearly unhinged, the intruder taunts the salesman and tosses some photographs (their significance is made apparent later) onto the table. The salesman […]
The rise of reality cinema
It may be impossible to accurately determine what effect Fahrenheit 9/11 will have on the 2004 presidential race, but one thing is certain: Michael Moore has revitalized the documentary form. Not only has Fahrenheit 9/11 ignited an intense political debate, it has also given rise to the discussion of the movie form itself. Because Moore […]
movie reviews
Here’s a vote for the new and improved Candidate Remakes are a tricky proposition, particularly when the original is highly regarded. In that sense, director Jonathan Demme has performed a cinematic miracle: His revamped version of the 1962 film The Manchurian Candidate is a superb and well-thought-out political thriller, superior to the creaky original in […]
Movie review
McDiet proves hard to digest Morgan Spurlock is about to embark on a most dangerous adventure. His girlfriend is frightened of the consequences; his doctors warn of the potential hazards. Spurlock’s crazy quest doesn’t involve parachuting or mountain climbing, but the risks may be just as great. Like an athlete readying himself for the big […]
Movie reviews
Expect an amazing chemical reaction I hate a good love story. Perhaps it is just a quirk in my personality, but I have never appreciated the shameless manipulation of the genre. As films, they are rarely challenging or intriguing. Why then would I recommend The Notebook, an unabashedly romantic and sentimental tearjerker? This one seems […]
