You don’t intend to watch American Idol, really you don’t, but like millions of your lumpen brethren, you find yourself prostrate on the couch every week, gawking at the televised trainwreck. Simon, Paula, and Randy make their predictable assessments, but it’s the viewers who decide, by way of telephone and text messaging, the outcome of […]
Music
now playing 3-24-05
Heaven help us as the Pimps, NIL8, Funky Circus Fleas, and Hot Iron Skillet come together in a concert of epic proportions — or at least one with colorful band names. The Pimps first appeared in the mid-’90s, billing themselves as the Goodyear Pimps until they were politely asked by a trademark lawyer to cease […]
music notes 3-24-05
Born in Mexico and reared in Brazil and Venezuela, singer/songwriter Erika Luckett continued her international upbringing with extended stays in France. She sings in Portuguese, Spanish, French, and English on her latest CD, Unexpected (2005, Birdfish Records), tossing in flourishes of world music as fluently as she soars through the various languages. Luckett aptly explains […]
sound patrol 3-24-05
Like most worthwhile artists, the Los Angeles-based folk singer Mia Doi Todd is a mess of contradictions. This slipperiness, this ability to be simultaneously one thing and its opposite, makes listening to her interesting, but it makes describing her difficult. How can a singer sound both intimate and declamatory, both pretentious and plainspoken? Where does […]
music notes 3-17-05
Viele’s Planet (126 E. Jefferson St., 217-525-9029), long the last refuge of Springfield’s still-performing original rock bands, hosts three of the best this Friday, March 18: the Timmys, Abe Lincoln Continental, and Resident Genius. Jay Vanselow of ALC, who is now also a member of Resident Genius, will be doing double duty. But don’t worry, […]
now playing 3-17-05
Given the treatment of Irish immigrants by Americans in the middle and late 19th century, it’s nice to know that those who were once scorned are now praised. Somehow those plucky Irish went from being the scourge of the earth to getting their very own holiday. As they say, time wounds all heels and heals […]
sound patrol 3-17-05
Besides being a character in a William S. Burroughs novel, Clem Snide is a band, a funny and touching alt-countrified/indie-rock band whose frontman and singer/songwriter, Eef Barzelay, is often accused of being too clever for his own good. For many music fans — especially those passionately invested in their own sense of uniqueness — cleverness […]
sound patrol 3-10-05
The consensus on The Great Destroyer, Low’s seventh full-length and first for Sub Pop, is that it represents a Great Departure. Adjectives that have never before appeared in reviews of the Duluth, Minn.-based trio — “aggressive,” “loud,” “rocking” — have been edging out the usual descriptors (“hushed,” “narcoleptic,” “austere”). If anyone took rock critics halfway […]
music notes 3-10-05
Everyone wish a happy birthday to the Illinois Central Blues Club as it commemorates two decades in the blues society business. The ICBC, one of the senior blues associations in the nation, is celebrating in grand style with the Larry Taylor Blues Band of Chicago, featuring slide guitarist Tom Holland. Taylor plays traditional postwar Chicago […]
now playing 3-10-05
Guitar-slinging, rockabilly singer Rosie Flores has been making music since she was a child, recording her first song at the age of 7. A Texas native, Rosie is heading back to her home state next week for a show with Katy Moffatt at Austin’s world-famous South by Southwest music conference. She’s been on the road […]
sound patrol 3-3-05
Sure, globalization has its drawbacks: McDonald’s in the ruins, Wal-Marts in the rainforest, Guatemalan peasants quoting Dr. Phil. Sometimes, though, it’s pretty great, and Maya Arulpragasam, a Sri Lanka–raised, London-based MC who goes by the tag M.I.A., is all the proof you need that a shrunken, mongrelized, borderless world doesn’t necessarily mean oppression and colonialism […]
now playing 3-3-05
The classic-country period of popular music, which roughly lasted 1950-1965, was a time when hillbillies really came from the hills, Okies were a legitimate group of immigrants in California, and electricity was rearing its ugly head to influence the sound of musical instruments. It was a glorious time now emulated a generation (or two) later […]
