If director Jason Reitman wants you to take anything away from his new film Men, Women and Children, it’s the knowledge that the internet is a very bad thing, I mean a REALLY bad thing, an awful, irredeemable BAD THING! This Pandora’s Box of the 21st century is responsible for all of our societal ills […]
Cinemascoping
Bland
Being harshly critical of a movie like Charlie Martin Smith’s A Dolphin Tale 2 is akin to kicking a puppy that’s been chewing on your shoes in the teeth. Yes, corrective measures should be taken with the dog but that sort of overkill is criminal. Giving a lukewarm review to this harmless film won’t land […]
“Below” a Cut Above Standard Horror Fare
On the surface, John Erik Dowdle’s As Above, So Below appears to be a typical horror movie populated with stereotypes stuck in an all-too familiar situation. However, it quickly becomes apparent that what with its uncommonly intelligent script and its precise, economic execution that this low-budget fright film is a cut above the typical genre […]
Familiarity Makes
More times than not, there’s a recurring problem where most faith-based movies are concerned – they’re often less-than subtle in delivering their message, which is ironic because for the most part they’re preaching to the choir. Such is the case with Thomas Carter’s When the Game Stands Tall, a fact-based film based on the book […]
Chuck’s Classic Movie Picks 8/25 – 8/31
Classic Pick of the Week – The Magnificent Ambersons (1942) Orson Welles was more than up to the task of following up Citizen Kane (1941) as he planned to make a sweeping, familial saga set at the turn of the century by adapting Booth Tarkington’s novel The Magnificent Ambersons. Unfortunately, the studio heads at RKO […]
“Stay” a Dismal Example of Modern Storytelling
R.J. Cutler’s If I Stay is pitched squarely to teenage girls, of which I am not, who are susceptible to melodramatic plots and doomed love stories. Though I fall firmly out of this demographic, that’s not to say that I couldn’t enjoy or become engaged with a film dealing with a bright young woman on […]
“The Giver” Still a Cut Above Rivals
As the old saying goes, timing is everything and Philip Noyce’s adaptation of Lois Lowry’s novel The Giver is suffering from being a bit too late to the party where big screen versions of young adult literature is concerned. This is ironic and unfortunate as the novel, which has become a middle school staple since […]
Chuck’s Classic Movie Picks 8/18-8/24
Tuesday – August 19th – One of Clint Eastwood’s most overlooked and underrated films in recent years, Hereafter (2010), airs on FXM at 11:00 pm. Tackling a fractured narrative that tells three different stories simultaneously, all of which converge in the end, the theme that runs through them all is death and the afterlife. Matt Damon stars as a clairvoyant who […]
Hoffman’s Power on Full Display in
It’s been a rough year where deaths in the world of film are concerned. While we acknowledge their passing and recognize the inherent misfortune that accompanies these events, we only begin to recognize the importance of these losses, from an artistic point of view, when we see them at work. Such is the case with […]
Fey ‘What If” an Exercise in Irritation
It’s hard for me to put into words just how much Michael Dowse’s What If irritated me. Not so much like fingernails on a chalkboard, which is thankfully only a brief annoyance but more like being on an airplane, sitting in front of small child whose constant yammering and kicking of the back of your seat begins […]
“Expendables 3” Too Familiar to Thrill
Having now sat through three Expendables movies, I can safely say that this is the most predictable franchise in film history. Nothing, and I mean nothing comes as a surprise in Sylvester Stallone’s series for geriatric action heroes, as each movie’s plot marches lockstep through a pattern that’s as expected as it is tiresome. Old mercenaries get […]
“Cops” Familiar but Fun
I often tell people where popular movies are concerned – “Keep your expectations low and you might end be pleasantly surprised.” Such is the case with Let’s be Cops, a goofy bromance comedy that comes off as a low-rent 21 Jump Street, yet it’s not without its charms. Much of this is due to the chemistry between […]
