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Film - Chuck Koplinski

Fitzgerald’s Gatsby survives Luhrmann’s grandiose approach

By Chuck Koplinski

Director Baz Luhrmann is one of the more polemic filmmakers working today. While many praise his modern take on the Bard with his Romeo Juliet (1996) and his radical musical Moulin Rouge (2001), oth

Film - Chuck Koplinski

Home Run rife with errors

By Chuck Koplinski

It really comes as no surprise that faith-based dramas have found a devoted following. Films such as Facing the Giants, Fireproof and Courageous answer a need with their life-affirming messages as the

Film - Chuck Koplinski

Iron Man 3 a clunky debut for Marvel’s second phase

By Chuck Koplinski

Shane Black’s Iron Man 3 has the unenviable task of following Joss Whedon’s widely entertaining The Avengers as the next Marvel Studios movie out of the chute. Too bad that Iron Man 3 gets

Film - Chuck Koplinski

Pain’s outlandish story matches Bay’s garish style

By Chuck Koplinski

Director Michael Bay throws audiences a curveball with his latest film Pain and Gain as he actually tells a story that revolves around human beings rather than alien robots. After conquering the inter

Film - Chuck Koplinski

Boyle’s Trance rewards the patient

By Chuck Koplinski

How much you enjoy Danny Boyle’s Trance depends entirely on how much you like to be manipulated while watching a movie. And while it might be distracting to other viewers, they may end up thanki

Film - Chuck Koplinski

Pines a haunting look at the sins of two fathers

By Chuck Koplinski

There’s no question that writer/director Derek Cianfrance’s The Place Beyond the Pines, is an ambitious film, the sort of work that intelligent filmgoers long to see. It tackles profound t