Watching the rare failure of a great director is
disheartening, but, considering Oliver Stone’s track record, he can
afford a dud such as Alexander. Stone has made many great films, bu
The surprise success of Wedding
Crashers and The
40-Year-Old Virgin may revive the sex-comedy
genre, but we are still a long way from its glory days. Today the genre is
dominated b
Terry Gilliam was the least visible member of the
comedy troupe Monty Python’s Flying Circus, but he has made the
greatest impression in the cinema. In fact, he has reached such a high
Vince Vaughn may be the reigning king of comedy, yet
he really isn’t a comedian. Normally that moniker is bestowed on an
actor who began either as a standup comedian or a sketch-comedy
Fairy tales can come true — just ask Will (Matt
Damon) and Jacob (Heath Ledger) Grimm. Terry Gilliam’s fictional
rendering of the famed brothers presents them as traveling con ar
Why would Wes Craven, who has been called the
“king of horror,” fail so miserably with the werewolf film Cursed (2005)? Perhaps his
reputation is a little overstated. Craven achi
Nothing enhances a movie’s image more than
unavailability. The High and the Mighty (1954), starring John Wayne, is finally out on DVD after
being out of circulation for many years, but
Why is the public so obsessed with the private lives
of celebrities? Is it really important that Katie Holmes had Tom Cruise
jumping on a couch? Is it a big deal that Colin Farrell is trying
Chili Palmer (John Travolta), the mobster who
infiltrated the movie business in Get Shorty (1995), has moved on to the music industry in the sequel, Be Cool (2005), Palmer is the
epitome of
When a director finds the perfect actor to personify
his vision, it can lead to an interesting collaborative history. The most
prominent ongoing director/actor relationship right now is that