Most musicians hate to be categorized,
rejecting any attempts to label, contextualize, or otherwise rape
their divine muse. Because they are, like, totally unique, they
In "Exodus Damage," one of 14 quietly harrowing tracks on his
fifth and finest CD, John Vanderslice sings, "No one ever says a word about/So
much that happens in the world." If this is true, it'
Although no one can define it, most of us know
pornography when we see it, and we do not approve. Never mind that
we’re consuming it in record quantities; we still frea
Flamin' Groovies Shake Some Action
(DBK Works)
Was there ever a phrase more
redolent of rock than “shake some action”? In the
annals of horndog eloquence, itR
Lizz Wright isn’t the first jazz singer to
embrace gospel, blues, folk, and rock, nor is she the first jazz
singer to tell interviewers that she’s not really a ja
Dwight Yoakam is a purist and a reactionary,
but that doesn’t make him any less of a rebel. Despite his
old-school Bakersfield twang and unabashed reverence for golden-
According to the press release for The World Is Saved, Stina
Nordenstam’s sixth CD, “This is some of the most
hopeful music Stina Nordenstam has ever recorde
For the past decade, Joe Pernice has
practiced the art of pop chiaroscuro, crafting sunny songs with
sudden shadows and dark songs that dazzle. With its buoyant hooks,
The first new Son Volt full-length
in seven years, Okemah and the Melody
of Riot boasts exactly one original
member: Jay Farrar, the band’s founder, frontm