Untitled Document
Eleni Mandell might not be the best singer in the
world, at least by American Idol criteria, but she’s got a voice to die for. More
precisely, she ha
Untitled Document
W hen it comes to zeitgeist, timing is all, and the
so-called freak-folk scene, with which Noah Georgeson is perhaps unfairly
associated, is due for a backlash.
Untitled Document
Menomena isn’t easily pigeonholed. The
Portland, Ore.-based experimental trio doesn’t fit easily into any
particular genre; it’s much too comp
Untitled Document
They may hail from balmy Miami, but the Postmarks
certainly have a yen for the changing seasons. Their debut full-length
boasts such climatologically perverse s
Untitled Document
The Book of Exodus isn’t one of God’s
finer moments. From the moment he first appears to Moses in the form of a
burning bush, it’s obvious tha
Untitled Document
When it comes to death, most sane people would prefer
to put it off for as long as possible. As Dylan Thomas famously advised,
“Do not go gentle into that
Untitled Document
Maybe you’re thinking that the world
doesn’t need another Daniel Johnston tribute album, and maybe
you’re right. Regardless of where you stand
Orphans: Brawlers, Bawlers, and Bastards, Tom Waits’ three-disc, 54-track tour de force, is more than a cleverly titled collection of outtakes, rarities, and oddball covers. It’s more than
In the booklet accompanying Swan Lake’s debut is the following epigraph: “Beast Moans is a testament to friendship, eternal and otherwise.” The sentiment is sweet but more than a lit
The cover art for Joanna Newsom’s sophomore album, Ys (pronounced ees) depicts the folk chanteuse as a Renaissance peasant with a sickle in one hand and a portrait of a butterfly in the other. T